Abstract
Popular with both boys and girls, Brian Jacques’s Redwall1 initially offers
young readers a utopian community of mice. Healing the sick and assisting
those in need, the Redwall mice are symbols of peace throughout the Woodlands. The mice represent an ideal of an independent animal kingdom that
knows no violence; they vow never to bring harm to others. They are
rewarded by the bounty of the earth, harvesting fruit, flowers, grains, and
honey, which results in a rich feast that the narrator describes with mouthwatering imagery. This harmony with the land suggests that the utopia embodies a pastoral tradition, at one with the peaceful rhythms of nature. The
community is guided by the governance of wise elders and father figures,
who comprise a system of traditional government, ruling with wise words.
The mice inhabit an abbey, an institutional space signaling both the blessing
of God and the authority of European tradition. Culturally supported by their
own myths, legends, artwork, and ghost-protectors, the Redwall mice symbolize peace as a cultural value: “[Peace] is our way, our very life” (Redwall,
6), says Father Abbot, head of the Redwall Order. This wise elder constructs
Redwall as a utopia, an earthly paradise in which “all is well,”2 the essential
feature of the fantasy utopia.